What does it mean to be French after seeing Battle of Algiers (1965)? Or American after watching Season of the Whirlwind (1978) from Vietnam? Or Dutch after viewing Usmar Ismail’s Darah dan Doa (1950)? Before the Timor invasion and occupation, we, as a formerly colonized people, may have conveniently asked such questions. Today, we’re privileged to have a similar question put to us: what does it mean to be an Indonesian after seeing Beatriz’s War?